Sara Lipton

Bio:

Read Dr. Sara Lipton's CV

My work focuses on religious identity and experience, Jewish-Christian relations, and art and culture in the high and later Middle Ages (11th–15th centuries). I am interested in the relationship between formal knowledge and lived experience, particularly as manifested in the interplay of text and image, and as mediated through the figure of the Jew. I recently completed a book called Dark Mirror: The Medieval Origins of Anti-Semitic Iconography (Metropolitan Books, 2014). Dark Mirror examines how changes in Christian devotion, thought, and politics affected the visual representation of the Jew. It explains the emergence of the iconographically identifiable Jew around the year 1080 and brings theoretical coherence to the dizzying proliferation of images of Jews in subsequent centuries. My current project, "The Vulgate of Experience: Art and Preaching in the High Middle Ages (1180–1300)," explores why and to what effect Christendom invested so much in worshiping the ineffable Word through the material thing.

Select Works:

"Jews, Money, Myth: A Review," The New York Review of Books. 

"Trumps' Meddlesome Priest," The New York Times. 

"Unfeigned Witness: Jews, Matter, and Vision in Twelfth-century Christian Art" in Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialsm. 

"Isaac and Antichrist in the Archives," Past & Present. 

"The Invention of the Jewish Nose," The New York Review of Books. 

"Those Manly Men of Yore," The New York Times. 

"Those Who Act More Strictly," in Political Ritual and Practice in Capetian France. 

"The Jewish Authenticity Trap," The New York Review of Books.