Degree Programs

Degree Programs

 

M.M. & D.M.A. in Performance

Stony Brook’s performance faculty are among the most distinguished in the entire country. They perform hundreds of recitals and concerts per year, have recorded on over 900 recordings, give master classes, and sit on juries of important music competitions. Our faculty perform regularly with such orchestras as Orpheus Chamber Orchestra, the New York Philharmonic, and the Metropolitan Opera and Metropolitan Opera Orchestra; with venerated ensembles such as the the New York Woodwind Ensemble, Lincoln Center Chamber Players, and the American Brass Quintet; as guest artists with such ensembles as the Cleveland Quartet, Juilliard Quartet, Tokyo Quartet, Carducci and Fitzwilliams String Quartets; and as soloists with the world’s greatest opera companies and orchestras, including the London Philharmonic, the Cleveland Orchestra, the Boston Symphony, the New York Philharmonic, the Amsterdam Concertgebouw, and the Warsaw Philharmonic.

Our faculty perform not only in ensembles squarely in the classical mainstream but with those on the “margins” as well, as members of early music ensemble Aulos and contemporary ensemble Duo Contexto. Venues in which faculty perform include the most storied halls in the United States and abroad. Eager to participate in the ongoing development of the art, our faculty have commissioned dozens of works from a wide range of composers all along the musical spectrum. Faculty provide expert mentorship for students, and, with their vast network of resources, are instrumental in assisting students in their successful transition to the professional musical world.

First-year MM students typically take one or two semesters of intensive ear-training in Mus 505-506. MM students must also take one history and one theory course for the degree; beyond that, the focus of the program is on performance. Participation in the orchestra is required of all orchestral musicians.

Doctoral students must have a masters degree, either from Stony Brook or another institution. Under special circumstances, masters' students at Stony Brook may begin work on their doctoral degree before they have completed all Masters requirements.

In the first year of study, DMA students create their own curriculum by drawing up a doctoral contract with a committee consisting of their major teacher and their academic advisor. The contract lists courses to be taken, projected topics for their doctoral essays and lecture-recital, and a sketch of the contents of the first four required recitals (there is a final doctoral recital in addition to these four recitals). The D.M.A. also has a foreign language requirement, and many students study a language in their first year.

In subsequent years, students complete the requirements of their contracts. They can advance to candidacy (typically after two years in the program) after they have given 3 recitals, a lecture-recital, passed the language requirement, and made a substantial beginning on their doctoral essays. The final stage of the degree is a final doctoral recital; the students are also examined on the contents of the recital by a special committee.

 

Please see our Faculty and Staff directory to view performance faculty

 

 

M.A. & Ph.D. in Music (Critical Music Studies)

  1. Read through the Admissions Information page.
  2. The application deadline for Fall 2026 admissions for the MA or PhD in Music (Critical  Music Studies) is December 15, 2025.
  3. Complete the application  found here:https://graduateadmissions.stonybrook.edu/apply/ 
  4. Please note that the Critical Music Studies program may email you to request an interview (to be held on Zoom in mid-January), in order to learn more about your interests and potential in the program. 

M.A. in Music (Critical Music Studies)

1)    Application – submitted through the Graduate School application system (Slate) (link on this page, above).

2)    Application Fee – paid via the application.

3)    Statement of Purpose - uploaded to the application.  Please indicate what you hope to accomplish from your graduate studies in Stony Brook's Music Department, what your career goals are, and what music or musicians have influenced your path as a musician. Please note: All written work submitted to support your application must be your own. In particular, the use of generative AI to generate entire sentences and paragraphs is not permitted and may be disqualifying.

4)    Resume/CV - suploaded to the application.

5)    Three (3) Letters of Recommendation – recommenders submit through the application system.

6)    Transcripts – official transcripts from institutions where a degree was received. For coursework relevant to the proposed course of study taken outside of a degree, unofficial transcripts will suffice.  Details on the submission process can be found here (see Transcripts: Requirements and Submission).

7)    2-3 Academic Papers –  uploaded to the application.  These should be original papers in music research, analysis or criticism in the range of 2500-5000 words.  In addition to these, you may send papers on other subjects if you think that they support some aspect of your application for admission.  Please limit your papers to those that exemplify your best work.  Please note: All written work submitted to support your application must be your own. In particular, the use of generative AI to generate entire sentences and paragraphs is not permitted and may be disqualifying.

8)    GRE Scores - GRE scores are NOT required.

9)    TOEFL/IELTS Scores (if applicable):

Applicants whose native language is not English who have received/will receive a degree from an English-speaking institution will not have to supply a TOEFL iBT score (or approved equivalent) for the purposes of admission. 

Applicants who only have received/will receive an Artist’s Diploma or Advanced Graduate Certificate in an English-speaking institution will be required to  provide a TOEFL iBT score (or approved equivalent) for the purposes of admission.

Applicants whose native language is not English and have not received/will not have received a degree from an English-speaking institution will be required to provide a passing TOEFL iBT (or approved equivalent- see below for acceptable tests) score in order to be admitted.  For any test, the most recent scores are counted, and the test must not be more than two years old at the time of application (this means that tests taken prior to September 2024 cannot be considered for Fall 2026 admissions).

Tests Accepted: Stony Brook University accepts either TOEFL iBT or IELTS scores.  For Fall 2022, Stony Brook University is also accepting TOEFL IBT Special Home Edition and IELTS Indicator.  Currently, Stony Brook University does NOT accept Duolingo, TOEFL My Best Score, or TOEFL ITP scores. 

Reporting of Scores:

  • For TOEFL iBT or TOEFL iBT Special Home Edition, have ETS send scores to Stony Brook University using code 2548.  Only electronic transmission of scores from ETS to Stony Brook University is considered official for TOEFL scores – copies of your results are not acceptable.
  • For IELTS, have the organization mail an official score report to the Music department. 
  • For IELTS Indicator, email the score results you receive to the Graduate School at gradadmissions@stonybrook.edu.

Minimum Scores

Minimum score requirements are as follows:

  • TOEFL iBT or TOEFL iBT Special Home Edition: 80 for MA applicants
  • IELTS or IELTS Indicator: An overall score of 6.5 with no subsection below 6

Spoken English

All students with a TA/GA stipend whose native language is not English and who have not received/will not have received a degree from an English-speaking institution must demonstrate a sufficient level of English-speaking proficiency and may be required to take English courses based on these measures. Proficiency is determined by the speak subsection score. For TOEFL iBT/TOEFL iBT Special Home Edition and IELTS/IELTS Indicator speak subsection scores, please see the chart below:

TOEFL iBT Speak

IELTS Speak

Course Requirement

Result

25-30

7 or higher

none

Eligible to TA

22-24

6.5

OAE 594

Eligible to TA

19-21

6

OAE 592

Eligible to run recitation and lab sessions and/or grade

15-18

5-5.5

OAE 590

Not eligible to TA

More information

Please see the Graduate Bulletin for further information:

https://www.stonybrook.edu/sb/graduatebulletin/current/admissions/requirements/english.php




Ph.D. in Music (Critical Music Studies)

1)    Application – submitted through the Graduate School application system (Slate) (links on this page, above).

2)    Application Fee – paid via the application.

3)    Statement of Purpose - uploaded to the application. Please indicate what you hope to accomplish from your graduate studies in Stony Brook's Music Department, what your career goals are, and what music or musicians have influenced your path as a musician. Please note: All written work submitted to support your application must be your own. In particular, the use of generative AI to generate entire sentences and paragraphs is not permitted and may be disqualifying.

4)    Resume/CV - uploaded to the application.

5)    Three (3) Letters of Recommendation – recommenders submit through the application system.

6)    Transcripts – official transcripts from institutions where a degree was received. For coursework relevant to the proposed course of study taken outside of a degree, unofficial transcripts will suffice.  Details on the submission process can be found here (see Transcripts: Requirements and Submission).

7)    2-3 Academic Papers – uploaded to the application.  These should be original papers in music research, analysis or criticism in the range of 2500-5000 words.  In addition to these, you may send papers on other subjects if you think that they support some aspect of your application for admission.  Please limit your papers to those that exemplify your best work.  Please note: All written work submitted to support your application must be your own. In particular, the use of generative AI to generate entire sentences and paragraphs is not permitted and may be disqualifying.

8)    GRE Scores - GRE scores are NOT required.

9)    TOEFL Scores (if applicable):

Applicants whose native language is not English who have received/will receive a degree from an English-speaking institution will not have to supply a TOEFL iBT score (or approved equivalent) for the purposes of admission. 

Applicants who only have received/will receive an Artist’s Diploma or Advanced Graduate Certificate in an English-speaking institution will be required to  provide a TOEFL iBT score (or approved equivalent) for the purposes of admission.

Applicants whose native language is not English and have not received/will not have received a degree from an English-speaking institution will be required to provide a passing TOEFL iBT (or approved equivalent- see below for acceptable tests) score in order to be admitted.  For any test, the most recent scores are counted, and the test must not be more than two years old at the time of application (this means that tests taken prior to September 2024 cannot be considered for Fall 2026 admissions).

Tests Accepted: Stony Brook University accepts either TOEFL iBT or IELTS scores.  Stony Brook University is also accepting TOEFL iBT Special Home Edition and IELTS Indicator.  Currently, Stony Brook University does NOT accept Duolingo, TOEFL My Best Score, or TOEFL ITP scores.  

Reporting of Scores:

  • For TOEFL iBT or TOEFL iBT Special Home Edition, have ETS send scores to Stony Brook University using code 2548.  Only electronic transmission of scores from ETS to Stony Brook University is considered official for TOEFL scores – copies of your results are not acceptable.
  • For IELTS, have the organization mail an official score report to the Music department. 
  • For IELTS Indicator, email the score results you receive to the Graduate School at gradadmissions@stonybrook.edu.

Minimum Scores

Minimum score requirements are as follows:

  • TOEFL iBT or TOEFL iBT Special Home Edition: 90 for PhD applicants
  • IELTS or IELTS Indicator: An overall score of 6.5 with no subsection below 6

Spoken English

All students with a TA/GA stipend whose native language is not English and who have not received/will not have received a degree from an English-speaking institution must demonstrate a sufficient level of English-speaking proficiency and may be required to take English courses based on these measures. Proficiency is determined by the speak subsection score. For TOEFL iBT/TOEFL iBT Special Home Edition and IELTS/IELTS Indicator speak subsection scores, please see the chart below:

TOEFL iBT Speak

IELTS Speak

Course Requirement

Result

25-30

7 or higher

none

Eligible to TA

22-24

6.5

OAE 594

Eligible to TA

19-21

6

OAE 592

Eligible to run recitation and lab sessions and/or grade

15-18

5-5.5

OAE 590

Not eligible to TA

More information

Please see the Graduate Bulletin for further information:

https://www.stonybrook.edu/sb/graduatebulletin/current/admissions/requirements/english.php

 

 

M.A. & Ph.D. in Music (Composition)

  1. Read through the Admissions Information page.
  2. The application deadline for Fall 2026 admissions for the MA or PhD in Composition is December 15, 2025.
  3. Complete the application found here:  https://graduateadmissions.stonybrook.edu/apply/
  4. Please note that the Composition program may email you to request an interview (to be held on Zoom, likely on Februrary 9, 2026), in order to learn more about your interests and potential in the program. 

The Department of Music at Stony Brook offers the MA and PhD degrees in Music Composition. The championship of new music runs deep in the department, with a consistently large contingent of faculty composers and performance faculty who have been in the forefront of new music commissioning since the department’s inception in the late 1960’s.

Students are admitted to the graduate program in a competitive process on the basis of promising individual voices that are developed through weekly composition lessons. Students develop their compositional art and craft against the backdrop of course requirements informed by Western art music traditions [see curricular requirements here.] Our six faculty composers embrace a broad spectrum of compositional styles and philosophies and support the varied creative trajectories of admitted students as they evolve during their time in the composition program.

The MA and PhD are full-time programs that have 2- to 3-year residential requirements, and students actively participate in the extensive activities of the program by attending concerts, rehearsals, regular faculty and guest composer colloquia, and a weekly Composers Forum. Student works are presented on new music concerts by the Stony Brook Contemporary Chamber players, called by the New York Times “a small army of musicians who demonstrate consistent accomplishment.” Every semester, the Stony Brook Symphony Orchestra reads graduate compositions for orchestra and our opera program performs scenes from student works. One of the principal advantages of studying at Stony Brook is access to the large graduate performance program of almost 200 student musicians, most of whom study for the DMA degree. Many performers have gone on to form new music groups such as the New Millennium Ensemble, Sputterbox, Unheard-of Ensemble, and Yarn/Wire. Additional performances by performers in a variety of genres are mounted by the Staller Center, the professional arts organization on campus. New York City, 55 miles to the west and accessible by a train with a campus station, further provides a stimulating cultural environment and opportunities for performance.

It is our mission to prepare for their professional careers post graduation, not only through the continued development and refinement of their compositional practice, but also by providing a solid foundation in Western art music and experience in teaching and other administrative activities. Many students in the graduate composition program receive tuition scholarships and assistantships to teach their own classes in music theory, musicianship, computer music, and composition under the supervision of faculty mentors. They are ready upon graduation to take their place as faculty at fine institutions in the U.S. and abroad.  Former graduate students have faculty appointments at Bard College, Brandeis University, the Cleveland Institute of Music, Crane School of Music, New York University, Northwestern University, the University of Washington, among many others, and abroad in institutions in Israel, Spain, Finland, Hong Kong, and Lebanon. Other graduates have gone on to successful non-academic professional careers, in publishing houses, music venues, and non-profit arts organizations.

The capstone of the MA in Composition is a composition portfolio.  Preparation for this includes a grounding in Western classical theory (musicianship, counterpoint, and analysis), music technology, orchestration, specialized composition topics courses, and participation in weekly Composers Forum meetings.  A principal aspect of training is weekly composition lessons.  We operate on an “open studio” model: students have the option of studying with several teachers over the course of their study. 

In the second year, in addition to submission of the composition portfolio, students take a qualifying exam in analysis of tonal and post-tonal music. 

In the first year of study, PhD students are assigned a faculty committee, to determine with them an appropriate course of study that takes into account prior coursework and student interest.  Students create works for a PhD portfolio. 

Prior to advancing to candidacy (normally after two or three years in the program), composition students submit their PhD portfolio, take a field exam covering “new music” from the last 100 years, present a PhD colloquium and submit a PhD essay, both on topics in 20th and 21st Century music of their choice. 

The thesis for the PhD in Composition is a substantial creative work.

Matthew Barnson, Composition, Theory & Musicianship
Nirmali Fenn, Composition, Theory & Musicianship
Perry Goldstein, Composition, Theory & Musicianship  
Margaret Schedel,   Composition, Computer Music & Theory
Daria Semegen, Composition, Theory & Electronic Music
Daniel Weymouth, Composition, Computer Music & Theory

 

 

Undergraduate Studies

Application

Prospective First-Year Applicants

If you will be coming to Stony Brook as a first-year student and already know that you would like to major in music, there are advantages to being “pre-approved.” Most importantly, it means that we will consider you for scholarships. It also means you know exactly which courses you need to take when you arrive at the beginning of the Fall semester and can already declare music as your major.

You must go through the pre-approval process if you want to be considered for a music scholarship.

Current students or transfer students

You do not need to go through the pre-approval process to major in music at Stony Brook. We offer audition times and placement tests at the beginning of each semester, and many students take this option, particularly if they are already a Stony Brook student, or are a transfer student. All current Stony Brook students and prospective transfer students should be in touch with the Undergraduate Studies Director, Deborah Heckert (deborah.heckert@stonybrook.edu).

Application Process

  1. Read through the overview page for general information about the application process.
  2. Complete your online application to Stony Brook University. For additional information, contact the Admissions Office at (631) 632-6868. You must complete this step before proceeding.
  3. Once you receive your Stony Brook ID number, apply to the Music Department by completing this online form

  4. Along with submitting your application form, you will be required to include YouTube links to two recorded videos to your application which show you singing or playing two contrasting works. OR you may attach samples of your musical compositions or academic writing on music if you prefer.


Find the requirements for your instrument or voice type.

Application Deadline

The deadline for receipt of applications and all supporting materials for Fall 2025 admission is February 1, 2026.

We hope to notify students that they are pre-approved by March 15.

The music minor is designed to provide students interested in music with a foundation in the theory and history of music along with experience in a performing ensemble. The minor is an excellent way for students to maintain or develop their interest in music while pursuing other areas of study. Students in other majors who have interdisciplinary interests also find the minor valuable as preparation for further studies dealing with the arts and culture. Less rigorous than the music major, the minor is not intended to prepare students for advanced study or professional work in music.

General Music Minor

All courses offered for the minor must be passed with a letter grade of C or better.
With the permission of the Director of Undergraduate Studies, students who do not pass the audition for one of the ensembles may fulfill the performance requirement in both tracks through two semesters of private lessons (Mus 161-187) if qualified. Please see the catalog for details on the audition procedure for lessons. For students in the minor who fulfill the performance requirement through lessons the ensemble co-requisite (listed under "Co-requisite" in the course description for Mus 161-187) will be waived.

Jazz Studies Minor

The jazz studies minor is designed to provide students who are interested in jazz with a foundation in music theory and history that incorporates a jazz perspective, as well with experience in jazz performance. The minor is an excellent way for students to maintain or develop their interest in music while pursuing other areas of study. Students in other majors who have interdisciplinary interests will also find the minor valuable as preparation for further studies studies dealing with the arts and culture. Less rigorous than the music major, the minor is not intended to prepare students for advanced study or professional work in music.

All courses offered for the minor must be passed with a letter grade of C or better.

Music and Technology Minor

The minor in Music and Technology is designed to provide students interested in music, media, and digital technology and the arts, with a foundation specific to the latest developments in music and technology along with a basic background in the history and theory of music. Students in other majors who have interdisciplinary interests will find this minor valuable as preparation for further studies dealing with the arts and culture. Less rigorous than the music major, the minor is not intended to prepare students for advanced study or professional work in music. This track requires a minimum of 20 credits.

Undergraduate Studies

Music Majors

 

Music Minors