CAS Standards
Student Media Programs (SMPs) exist in some form at most institutions of higher education today. Because there
may be a variety of programs on campus within which students contribute to media products,
it is important to define SMPs. In SMPs, students creating the media products are
granted the greatest content authority possible consonant with the institutional mission
and existing laws and regulations.
The other component is to foster the development of the student staff. SMPs provide intensive hands-on training and experience in the numerous responsibilities that are involved in all aspects of the media enterprise, providing valuable career experience. Students innovate, exercise critical thinking; assume citizenship and leadership responsibilities; manage people, budgets, and sales; develop personal discipline; and practice teamwork. SMPs also provide involvement opportunities that increase the sense of community and aid in the institution’s retention and satisfaction (Astin, 1997).
A broad range of management approaches, administrative structures, budgets, funding
sources, and the roles of students exist in SMPs. Many SMPs today are small operations,
producing only one or two media and supported by advisers who also have other responsibilities
at the institution. At the other end of the range, a number of larger programs have
become full-fledged not-for-profit companies that produce a wide range of media. They
are administered by multiple full-time staff, operate with multimillion-dollar budgets,
and incorporate an intensive training program for students on the media staffs. Most
SMPs operate with a model somewhere in between.
The administrative structure also varies, with some SMPs based in student services/student
affairs and some in academic departments. Some are student clubs. Some programs pay
the students on staff; some give academic credit; and some use volunteers. In the
past few years the number of student media organizations operating as independent,
quasi-independent, or auxiliary operations appears to be on the increase.
The one distinguishing thread that runs through all these types of SMPs is that they
allow student decision-making and participation to the greatest extent possible for
both decisions affecting day-to-day operations and content and decisions affecting
longer-term operations, including any changes in that operation.
Learning experiences often come from having to manage the rights and responsibilities
associated with an SMP. Programs have both ethical and legal underpinnings deriving
from journalistic codes, higher education principles, Constitutional and state laws,
case law, and bureaucratic and policy requirements.
- Where provided by law and/or precedent, such as at all government-owned schools in
the U.S., students are guaranteed broad freedom of expression, a protection recognized
by the U.S. Supreme Court as far back as 1943 and reaffirmed by the Court on multiple
occasions. At a private institution, laws and policies on censorship vary. If necessary,
college media professional staff members should work with the institution to foster
a free and open atmosphere, based on higher-education principles (Boyer, 1990) and because students learn best when given responsibility (Kuh et al, 2010).
- College Media Association’s Code of Ethical Behavior (1992) sets standards for SMP advisers, admonishing them to ‘‘teach without censoring,
editing, directing, or producing.’’ In a firm insistence on student learning, the
code says, ‘‘There should never be an instance where an adviser maximizes quality
by minimizing learning.’’ SMP professional staff should follow, and teach students
to follow, the ethical codes for their particular area of responsibility (i.e., reporting,
photography, graphic design, advertising, and marketing) (AAUP, 2015; ACP, 2015; CMA, 1992). Legal restrictions for media in the U.S. include FCC regulations for licensed broadcast
media that restrict speech and mandate equal time coverage in certain cases. Online
streaming is regulated by the Copyright Royalty Board.
- Copyright law is particularly pertinent for student media, and advisers must actively teach students about its provisions. Student editors or managers may choose to use content created by others; graphic artists may download art from the Internet, and radio deejays mostly play music created by non-students. Content from all these sources is subject to copyright laws.
Conflicts between SMPs and their institutions can occur over disagreements about student
actions, particularly concerning students’ content decisions. An issue perhaps unique
to student media is that the very qualities and precepts that make a media program
excellent may sometimes raise the ire of administrators, faculty, alumni, or community
members. Student journalists, for example, who are following the Society of Professional
Journalists’ guidelines for good journalism will ‘‘Seek truth and report it’’ (SPJ Code of Ethics, 2014) even if that truth is something administrators or others object to publicizing
because they think it may adversely affect the reputation or ‘‘brand’’ of the institution.
Another example of a potentially controversial aspect of media is programming. Mission
statements likely call for the student managers to choose content and programming
that suits the needs and interests of their college-student audiences. Therefore,
student managers may choose content and programming that pleases their audience but
offends the sensibilities of faculty, staff, or alumni. SMPs doing outstanding jobs,
therefore, may at times be unpopular with administrators or others. Conflict between SMPs and their institutions may escalate if institutional administrators
take actions that directly or indirectly infringe upon students’ assigned responsibilities.
At institutions where students are legally guaranteed free speech rights, administrators
may use indirect avenues to restrict that speech, such as mandating prior review of
media content, cutting budgets, restricting distribution, or removing the adviser.
Historically, attention from media in the surrounding area has sometimes sufficed
to persuade administrators to rescind a prior review order or restore what was cut.
On occasion, the students and/or advisers involved (not the SMP itself) sue their
institution for redress. All of this brings forth challenges for those who work with SMPs. In particular, SMP
professionals are balancing their role as faculty or staff members with their roles
advising campus media. Advisers challenging institutional censorship should not be
at risk of discontinued employment at their institution. Conversely, advisers should
not be expected to force the publication of the institution’s news releases or other
public relations articles. Another current problem for SMPs is also a longstanding one, a need for adaptability
as media and institutional environments change. For example, a demographic shift in
an institution’s student body will likely necessitate changes in SMP staffing and
training. Emphasis on timely graduation and full-time enrollment can result in fewer
students available for time-consuming student media staff positions. But few changes
have affected SMPs to the extent of the sweeping changes in technology and information
consumption habits now affecting the media industry. These changes are presenting
tremendous challenges for many SMPs. The business model based on advertising that has supported the media industry for
decades is also unraveling, affecting SMPs just as it has other media. SMPs that must
generate their own revenue are challenged to discover new ways to generate revenue
and/or reduce operations. Additional issues that influence SMPs include adapting to shifting delivery platforms
and accessing information. For example, many SMPs today are attempting to converge
their print, broadcast, and online operations, with mixed success. Also, access to
institutional police information, security, meeting records, and other official documents
is a continuing challenge on some campuses. SMPs should work with institutions to
establish policies allowing access to information.
Advisers are faced with a steep, continual learning curve. Advisers, equipment, and
facilities must stay current in technology and practices in order for SMPs to stay
current with the evolving information-consumption habits of the audiences. Media produced
in SMPs no longer have one national professional model to guide them, as national
media also race to adapt and survive. Developing media products that reflect readership
and consumption patterns of an institution’s current population necessitates more
SMP attention, and resources devoted to research and marketing. SMPs need to be nimble
and open to change. However, to the extent that SMPs connected to academic programs
are dependent upon the curriculum, they find it hard to be nimble because curriculum
change generally occurs slowly.
The National Council of College Publications Advisers, later College Media Advisers
and now College Media Association, has represented advisers and other college media
professionals since 1955. CMA’s journal, published quarterly, is College Media Review.
Other organizations in the area of college media include Associated Collegiate Press,
an organization made up of the media themselves; Society of Collegiate Journalists;
College Newspapers Business and Advertising Managers; Student Press Law Center; and
regional groups. On the broadcast side, the National Association of College Broadcasters
(NACB), founded in 1988, was replaced in 1998 by College Broadcasters Inc.
This standard has a Self-Assessment Guide (SAG) available for purchase from www.cas.edu for use in program evaluation.
Additionally, student clubs can visit the Student Media Services office to review
a printed copy. For any additional questions or accessibility needs, please contact the Assistant
Director for Student Media Services at isobel.breheny-schafer@stonybrook.edu.