Fall 2016 Lectures
From Europe to Korea: The Marvelous Journey of Collectibles in Painting
By Dr. Sunglim Kim, Prof. of Art History at Dartmouth College
Thursday, September 29, 2016 at 11:30 AM–1:00 PM
Charles B. Wang Center Theatre
Dr. Sunglim Kim will explore the European origins of the genre of Korean still-life painting known as chaekgeori ("books and things"), and how these European influences were transmitted to Korea through Jesuit missionaries in Beijing, China. She will also examine how Koreans eventually developed the theme in a creative and distinctive manner within their own storied, long-standing painting tradition, making it their own.
About the Speaker
Dr. Sunglim Kim is assistant professor of Korean art history at Dartmouth College. Her scholarship focuses on pre-modern and early 20th-century Korean art and culture. Her research interests include the rise of consumer culture in late Joseon dynasty (1392–1910) and the role of the professional nouveau riche—the so-called Jungin (“middle people”)—in the production, distribution, collection, and consumption of art in 18th- and 19th-century Korea; the shaping of images of Korea and its people during the Japanese colonial period; and Korean female painters in pre-modern and modern periods.
This lecture is presented in conjunction with the current exhibition, The Power and Pleasure of Possessions in Korean Painted Screens and in partnership with the Center for Korean Studies at Stony Brook University.
The Power and Pleasure of Possessions in Korean Painted Screens
On View September 29 through December 23, 2016
Charles B. Wang Center Skylight Gallery
Making My Own Book Bag with Korean Chaekgeori Painting
Fridays, October 7, 21, 28 at 1:00 – 3:00 PM
Charles B. Wang Center Chapel
Experiment with modular origami (folding) and kirigami (cutting) with Feltro, magnetic felt tiles. Feltro is an interactive construction toy and adaptable interior design product designed by Sam Kennedy that can be manipulated to create three-dimensional shapes, models, buildings, and even clothing. Kennedy will speak about the origins of the product’s design and the development of his playful and iterative design process, accompanied with an interactive workshop. All ages are welcome.
About the Speaker
Sam Kennedy earned a B.A. in anthropology from McGill University, where he developed a curiosity for the evolutionary process of designing and fabricating everyday objects. This curiosity remained unabated in his years designing and managing production for a custom sportswear and apparel company. This engagement with product design and the manufacturing process stirred his interest in textiles, soft manufacturing, and how to not only make things, but to make them better. Seeking greater hands-on experience, Kennedy earned degree in industrial design at OCAD University, where he developed Feltro as his final project. He is currently working to bring Feltro to home and educational spaces around the world.
Wednesdays & Thursday, October, 5, 12, 13, 19, 26 at 1:00 – 3:00 PM
Charles B. Wang Center Lecture Hall II
As part of the SUNY Innovative Instructional Technology Grant (IITG), Professor Kyunghee Pyun of the Fashion Institute of Technology (FIT) is developing a website focused on Asian arts and crafts, complete with video links, podcasts, online lectures, and a database of practitioners in collaboration with other SUNY institutions, such as the Charles B. Wang Center and SUNY Old Westbury's Amelie A. Wallace Gallery.
A group of selected participants, including researchers of Asian art, scholars of Asian American studies, art museum curators, and artists will discuss a design for this website; explain and demonstrate several artistic techniques; and plan a pedagogical application of the project for each institution.
Scheduled Hands-on Workshops
2:00–2:30 PM Lacquer by Gen Saratani
2:30–3:00 PM Chinese Paper Cutting by Xin Song
3:10–3:40 PM Korean Knots by Karen Ahn
3:40–4:10 PM Japanese Floral Arrangement by Toyomi Shibahara
(* Please note that workshop schedule is subject to change.)
The conference is sponsored by the SUNY Innovative Instructional Technology Grant (IITG), and co-organized by the Fashion Institute of Technology (FIT) and SUNY Old Westbury's Amelie A. Wallace Gallery.
Spring 2016 Lectures
New York-based Korean American artist Sun K. Kwak created a site-specific installation at the Charles B. Wang Center’s Theatre Gallery using black masking tape. As part of the artist’s opening reception, Sun K. Kwak will talk about her choice of mediums and architectural spaces.
Long Term Installation
Charles B. Wang Center Theatre Gallery
Click the images below for a close-up/larger picture.
The Art Crawl is a free event with guided tours of all the Stony Brook University campus galleries. There is a variety of artwork that will be exhibited including work from international artists, Stony Brook students and digital artists who work in the math and sciences.
This is a two day event.
The first day is Tuesday, March 22, 2016 beginning at 3:00pm at the Alloway Gallery in Melville Library, ending at 5:00pm.
The second day is Thursday, April 21, 2016 beginning at 3:00pm at the Jasmine Gallery at the Charles B. Wang Center and will also last until 5:00pm. Both days of the Art Crawl will end with a public reception.
Unpacking our Past for the Future: Asian Americans on Long Island
by Prof. Peg Christoff, Department of Asian and Asian American Studies
Tuesday, April 5, 2016 at 11:30 AM
Charles B. Wang Center Lecture Hall I
Prof. Peg Christoff and her students researched Asian and Asian American groups on Long Island in order to raise awareness about stereotyping, challenges of immigration, rituals and values embedded in pop culture and film, multiculturalism, and Asian and Asian American identities. Prof. Christoff, will discuss how these projects reveal the "presence of the past."
About the Speaker
Dr. Peg Christoff is a lecturer in the Department of Asian and Asian American Studies. She teaches courses on contemporary Asian studies, including studies of women in US-Asian relations and America's Wars in Asia.
From TV dramas to K-pop, recent years have seen Korea’s cultural industry has gain a global audience. Much of the fodder for that content has come from Korean webtoons: digitally based comics.
With an impressive range of stories (from the fantastical to the literary) in a variety of artistic styles, Korean webtoon creators and artists are the new tastemakers and pop culture heroes, and their fan base now spanning readers and consumers of all ages from around the world.
How did this come to be? The lecture will introduce webtoons, their growth and how they formed over the last decade from the interaction of Korea’s comic book market, the global publishing industry and neighboring Asian influences. The lecture will also consider network effects in what is considered by many measures the most wired country in the world—as well as the challenges webtoons face in reaching across borders, to a potential audience of billions.
About the Speaker
Ernest Woo is Co-Founder and Chief Product Officer at TappyToon, overseeing the expansion of Korean comics and webtoons to a global audience. As an expert in Korean media and entertainment marketing, he has previously worked with leading organizations and companies including the Film Society of Lincoln Center, New York Asian Film Festival, The Korea Society, Gamevil USA, and Manga Entertainment. A fan of all things geeky, Ernest holds a BFA from the School of the Art Institute of Chicago with a focus in New Media and Film.
Webtoons: South Korean Digital Comics
On View March 10 to May 31, 2016
Charles B. Wang Center Jasmine, Video, Zodiac Galleries
Gautama Buddha is believed to have promulgated four basic truths about the nature of the human condition. In the first of these (the noble truth of “suffering”) he claims that stress, anxiety and dissatisfaction are endemic to life. This supposition is not exclusive to Buddhism. Any good stand-up comedian knows this already because making jokes about it usually gets big laughs. Like the Buddha, the comic can be a powerful medium for communicating life’s more difficult, discomforting truths.
In this lecture Christopher Kelly explores comedy as a vehicle for truth, and in particular, the essential meaning of the Buddha’s teaching on the four noble truths about suffering, the cause of suffering, the cessation of suffering and the path that leads to the end of suffering. Kelly combines traditional Buddhist scholarship with a novel analysis of comedy sets from the likes of Louis C.K.
About the Speaker
Christopher Kelley holds a doctorate in Buddhist Studies from Columbia University, where he studied under the guidance of Professor Robert A. F. Thurman. Kelley has taught a variety of innovative courses and workshops that examine Buddhist ideas and practices in the context of contemplative studies, palliative care and dying, science and technology, ethics and human rights, psychedelics and mystical experience, dark comedy, art, literature, and comparative philosophy. In his meditation workshops Kelley combines western mind science with traditional mind-training skills drawn from the Indo-Tibetan tradition of Buddhism. These practices are designed to mitigate stress, nurture happiness, and cultivate sustainable well-being, compassion, and altruism.
He currently teaches at Brooklyn College, New York University and The New School University as well as conducts public lectures and workshops at the Rubin Museum of Art and The Asia Society in Houston. He is a co-organizer of Consciousness Hacking NYC, the founder of the Columbia Society for Comparative Philosophy, and served as the director of two international conferences on Buddhist philosophy: Mind and Reality (Columbia University, 2006) and Contemporary Perspectives on Buddhist Ethics (Columbia University, 2011).
Existential anxiety is often precipitated by a direct encounter with the ephemeral nature of life. In The Life of the Buddha (Buddhacarita), Prince Siddhārtha Gautama (also known as the Buddha) resolves himself to attain Enlightenment upon discovering that the human condition is pervaded by old age, sickness and death. Any good comedian knows that making jokes about old age, sickness, and death usually gets big laughs. Like the Buddha, the comic can be a powerful medium for communicating life’s more difficult, discomforting truths.
In this lecture Christopher Kelly explores both Buddhism and comedy as a palliative for existential anxiety. Kelly argues that certain forms of "dark" comedy actually function in much the same way Buddhist discourse is intended to provide the individual with a more realistic view of life and death.
Though he taught over 2,000 years ago, Confucius (551 – 479 BCE) remains a major force in Chinese thinking: And his thoughts on cuisine just as potent. China’s most famous teacher, philosopher, and educator liked his rice polished and his meat cut properly and fine. He spoke about diet, food presentation, hygiene, integrity, heaven’s will, and the way things ought to be. Born in China’s State of Lu, we know about his culinary opinions thanks to Han Dynasty historian Sima Qian; The Analects compiled by his disciples centuries after his death; narrative of Zuozhuan from the 4th century CE; and the Mengzi compiled by Mencius. Nowadays, at Qufu in the Kong Mansion, they serve dinners in his memory. What are those dinners and would he indulge in them?
This lecture discusses his life, his thoughts about food, and the memorable meals served at the Kong Mansion. After the lecture related dishes will be tasted. Co-sponsored by Special Collections of the University Libraries, The Confucius institute and the Charles B. Wang Center.
About the Speaker
Dr. Jacqueline M. Newman is a professor emeritus, Queens College and the founder and editor of the award-winning magazine Flavor and Fortune which is the first and only American, English-language quarterly about Chinese food and dietary culture. In 2002 Dr. Newman made a significant gift of 4,000 Chinese cookbooks, culinary magazines and related audio-visual materials to Stony Brook University Libraries Special Collections. It is the largest collection of its type in the world.