2015 Explore Asia: Objects From Asia Exhibitions
My Grandmother’s most prized possession was her masala brick, an Indian kitchen tool
to grind and blend spices and herbs. In Guyana, the masala brick is also known as
lorha and sil. This masala brick originated from my great-great grandmother, Sukia Dalchand, whose
family was from Madras and Goa in India. It was handed down to my grandmother on her
wedding day as a family heirloom. One of seven siblings, her parents were indentured
Indian workers. On her migration from India to Guyana, my great-great grandmother
brought her family’s masala brick with her. To her it was like gold!
I came to the United States in 1976 with my Grandmother, who stood all of five feet,
one inch tall and who refused to leave Guyana without her masala brick. It was handed
down to her like a cherished family jewel. My grandmother balanced the 30 pound masala
brick on her head to carry it onto and off the airplane, and it had to be within her
eyesight at all times during our journey to the U.S. I imagine it created a scene
at JFK airport when we arrived! When I was just three years old, my grandmother began
to teach me how to cook and use this masala brick the way she was taught by her mother.
To prepare Guyanese curry, the first step is to use the masala brick to grind the
spices into a powder that is then mixed into a paste and sautéed with other herbs.
Once or twice a year I put away all of my modern kitchen machinery and cook and prepare
with the masala brick the way my grandmother taught me. As the fifth generation to
possess this family heirloom, I’m teaching the younger generation in my family to
cook the way our ancestors did. This masala brick is an important part of our family
history and a way to keep our traditions alive.
Shakeera Thomas (Chapter Assistant of United University Professions, Stony Brook University)
I grew up on jok (rice porridge), khao tom (rice soup), khao pad (fried rice) and a number of other Thai dishes that all begin with jasmine rice or,
in Thai, khao hom mali, which translated literally means “rice with the fragrance of jasmine.” To eat, gin khao, means literally “to eat rice.”
Jasmine rice is a major export of Thailand. One of the most popular brands of rice
is the Elephant Brand. Elephants stand for good luck in Thailand but only if the trunk
is raised. (During exam time, students will place lucky elephant figurines at their
school’s spirit house shrine to ensure that they will pass.) I have a few lucky elephant
figurines in my collection and my surname means white elephant.
According to recent research, rice was first cultivated 8,200-13,500 years ago in
the Pearl River valley region of China. Today Asia (counting Bangladesh, China, India,
Indonesia, Japan, Myanmar, Korea, Pakistan, Philippines, and Vietnam as well as Thailand)
supplies 87% of the rice in the world while the U.S. provides about 12%. Rice was
introduced to the Americas through European colonization and the six-largest rice
producing states in the United States are Arkansas, California, Louisiana, Mississippi,
Missouri, and Texas. Rice is the third highest produced agricultural commodity in
the world after sugarcane and maize. There are 40,000 different varieties of rice
worldwide. Technology has helped to improve rice production, but as a result of the
cost of this technology many low-income farmers are unable to compete, thus losing
their land and becoming tenants.
Chanika Svetvilas (Program Associate of Cultural Programs, Charles B. Wang Center)
Throughout the 1920s and ‘30s, Japan’s leading brewers created a vast array of colorful
leaflets, flyers, handbills, and especially full-color posters as advertisements.
These posters were commissioned as original paintings, and many featured beautiful
women (reijin or bijin) dressed in gorgeous kimono or, alternatively, in the latest Western hairstyles and
The Dai Nippon, Kirin, and Asahi brewing companies commissioned many posters from
leading advertising firms, whose reps came to pitch designs directly to senior managers.
Brewery firms expected to see models with particular appearances, and they would even
request the work of specific painters. They also ordered modern printing techniques
such as plate-making (seihanga) and lithography (sekiban), both of which grew very popular during this era.
Many of the artists who created these posters are anonymous because they either did
not sign their work, or only very faint outlines of their signatures have survived.
Portrait rights and copyrights were not observed during the early decades of the Showa
age (1925-1989), especially internationally. Japanese artists typically copied Western
ads and simply inserted new faces, making their works more modified copies than original
Many of these posters depicted scenes of beer being enjoyed in trendy cafes by so-called
modern girls (moga), as well in cabarets and nightclubs by women wearing sequined, and even backless
dresses. A third major trend in poster ads simply featured bottles of beer next to
modern Western technologies and entertainments, including racehorses, sailboats, airplanes
and dancers. Western commodities like beer, soda, and biscuits were thus associated
with elite, new culture, especially by those still aspiring to afford them. Prewar
Japanese consumers could not possibly have failed to notice the equation of beer with
the themes of freedom and modern living.
Jeffrey W. Alexander, Author of Brewed in Japan: The Evolution of the Japanese Beer Industry
Growing up in Singapore, when I suffered from a cold, a mosquito bite, or stomach
flu, my parents would bring out this special jar and apply the ointment on my chest,
stomach or wherever the pain or irritation was.
As a child, I always thought that the jar contained tiger oil, despite the noticeable
herbal fragrance. The image of the leaping tiger on the jar always made me feel like
I would spring back to health and regain my strength after applying the ointment.
As I grew up, I learned that a Chinese herbalist in Burma created the ointment, Tiger Balm, in the 1870s based on a secret formula from ancient China. In the 1920s, his sons,
the Aw brothers successfully established a market for Tiger Balm in East and Southeast Asia after starting their company in Singapore.
Today, Tiger Balm is distributed worldwide in major drugstores or supermarkets across the globe. If
I had to find a comparable item to Tiger Balm in the US, it would have to be Vicks VapoRub; but that would not be a fair
comparison because Tiger Balm is the Legendary Pain Reliever from Asia that works miracles. Try it! I dare you.
E.K. TAN, Associate Professor of Comparative Literature and Cultural Studies, SBU
Turkish coffee or, Türk kahvesi' (TURK' KAH'-vay-see), occupies an important place in the country’s social culture.
Coffee is enjoyed as an afternoon break and opportunity for visits with friends, neighbors
and family. In smaller, rural villages the coffee house is filled with locals (mostly
men) passing the day nursing countless cups of coffee, smoking cigarettes and sharing
This cezve (jez-VEY') is a small, long-handled pot used to brew traditional Turkish coffee.
Finely ground dark roast coffee beans, similar in texture to Italian espresso, are
boiled directly with water and the desired amount of sugar until the coffee is thick
and syrupy. The viscose, potent result, always individually prepared, is then poured
into tiny cups, grounds included, and sipped slowly, generally alongside a glass of
water. Turkish coffee drinkers imbibe thoughtfully, mindful of the thick, bitter coffee
paste settled in the bottom of the cup.
Some still practice the ancient tradition of fortune telling after finishing a demitasse
of Turkish coffee; similar to the practice of “reading” tea leaves, the demitasse
is inverted onto the saucer, rotated clockwise and the resulting pattern of coffee
grinds interpreted to predict one’s future.
Drake Page, The DP Chutney Collective
Have you ever checked out the label on that H&M shirt you're wearing or on your favorite
pair of jeans? It may not be surprising for you to see "made in Bangladesh" written
across the tags.
Bangladesh, located in the South Asian subcontinent, was the focus of much social
discourse following the collapse of a factory building in April 2013 that took the
lives of more than 1,100 garment workers. The incident, known as the Rana Plaza disaster,
highlighted the dark side of Bangladesh's Ready-Made Garment (RMG) industry. That
industry is centered in the capital city of Dhaka, while many other RMG factories
are located in underdeveloped suburbs.
Since the government of Bangladesh shifted the country away from its reliance on agriculture
30 years ago, garment exports have risen from $6.4 million U.S. to a whopping $21.5
billion, thus becoming Bangladesh's main source of foreign exchange. Many observers
proclaim this development to be a boom for Bangladesh due to the resulting rise in
employment and global competitiveness. However, incidents like the Rana Plaza disaster
focus attention on the urgent need for improvement in the RMG industry's deplorable
There are two serious problem areas in Bangladesh’s RMG industry: (1) Bangladeshi
exporters do not enforce international labor laws strictly; and (2) the industry is
allowed to exploit Bangladeshi women due to the society’s deeply ingrained gender
inequality and strong patriarchal values. The Bangladeshi RMG industry employs more
than 3.6 million people, and of that figure 2.8 million people are women with little
to no formal education. The majority of these women are illiterate.
Bangladesh’s RMG industry employs the highest proportion of women of any in the world,
and has been under constant pressure to adopt international labor standards. Bangladeshi
workers in the RMG industry suffer from a lack of job security, little to no formal
protection from discriminatory hiring procedures, inconsistent payment, lack of a
minimum wage and no opportunity to join labor unions. RMG industry employees are forced
to work 10 hours a day, six days a week. Unregulated child labor is also a serious
Companies like H&M and Primark in are the key beneficiaries of Bangladesh’s low labor
costs. The European companies also benefit from an efficient global transportation
system. The trend in the global garment industry now is "Fast Fashion": clothing that
is made inexpensively and quickly, while still maintaining high quality standards.
But the rush towards "Fast Fashion" places even greater pressure on the RMG workers
As a result of the Rana Plaza disaster, unions and industry came together to establish
the Bangladesh Safety Accord. However, with demeaning and dangerous labor conditions
persisting in the country, corporate social responsibility is a topic that gets more
urgent every day.
Tabashshum Islam, SBU Student
Haft Seen (Persian translation of ‘Seven S’) is the traditional Iranian table setting that
includes at least seven items that start with ‘S’ in Persian. The Persian New Year
coincides with the Spring equinox, which is what Haft Seen celebrates. Families gather around the Haft Seen at the moment of the Spring equinox and celebrate the transition from winter to spring
and the coming of the New Year.
Persian New Year reminds me of the colorful Haft Seen table and crowded shopping centers where people buy new clothes. It also brings to
mind memories of wheat germinated by my mom, and the sound of new bank notes left
inside the Quran by my father.
On New Year’s Day, I love using watercolors to color boiled eggs for Haft Seen with my sisters. I love the smell of Sabzi Polo Maahi (herbed rice with fish) from the kitchen. I love listening to my mom saying prayers
of thanks for all the blessings God has given us. I love the moment my father opens
the Quran and my siblings and I each take a bank note for good fortune. I love sitting
with my family around the Haft Seen table, which is covered with seven items symbolizing rebirth (sabzeh, wheat sprouts), love (senjed, dried wild olive fruit), health (seeb, apple), medicine (seer, garlic), patience (serkeh, vinegar), the color of sunrise (somaq, sumac Fruit), and affluence (samanu, sweet pudding made from wheat.) In addition, Haft Seen includes other items symbolizing fertility (painted eggs), light and self-reflection
(mirror), life (gold fish), wealth and prosperity (coins), prayers (the Quran) and
the sweetness of life (pastries).
Saal Tahvil, the start of the New Year, is such a joyful moment. Everyone wears new clothes and
sits around the Haft Seen anxiously waiting for the countdown to the No-Rooz (New Year.) For 3,000 years Iranian people have been celebrating No-Rooz in their own unique way. At the turn of the year, everyone wishes each other happy
New Year by hugging and kissing. Being surrounded with family and sitting by the beautiful
Haft Seen, we are all happy that the past year is gone and we are filled with hope for a better
and prosperous year ahead.
Vahideh Rasekhi, Ph.D. Candidate from the Department of Linguistics.
A prayer rug (janamaz in Urdu) is a fabric used by Muslims during their times of prayer. The act of Muslim
prayer includes several different body positions, such as prostration, sitting on
the ground and standing. It is necessary for the prayer to be performed on a clean
and pure surface. The prayer rug serves as a clean surface between the worshipper
and the ground.
Prayer rugs are an essential item found in the home of every Pakistani Muslim. Each
member of the family has his or her own prayer rug which he or she keeps in a clean
location. It is traditional for a Pakistani mother to give her daughter a prayer rug
on her wedding day. This gift symbolizes the significance of the daughter's starting
her new life with a new family. The prayer rug that is given on the wedding day is
usually of better quality than an average prayer rug, and the wedding gift prayer
rug is also made of a brighter color to represent the vibrant, joyous occasion.
The prayer rug on display was given to me by my grandmother who lived in Pakistan.
It has been a way for me to stay connected to my roots and to my grandmother who recently
passed away. This prayer rug started as just that, a prayer rug, but over time it
has become a cherished memory of my grandmother. Everytime I use this prayer rug,
I am reminded of my grandmother’s beautiful spirit. Prayer rugs are usually passed
down from generation to generation. Some museums hold prayer rugs that date back to
the late 16th century. The decorative pattern, material, dyes and colors used in Muslim
prayer rugs vary greatly depending on the region they come from. The design of the
rug usually incorporates Islamic art, symbols and architecture, such as the Kaaba, a minaret, or the dome of a mosque. The design of the rug represents the richness
of Islamic history, the value of the prayer rug, and the act of prayer itself.
Zara Sayeed, SBU Student