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English Department
Stony Brook University
Humanities Bldg.
Stony Brook, NY
11794-5350
Phone: 631.632.7400

Celia Marshik

Associate Professor. Ph.D. Northwestern University, 1999; 20th Century British Literature; Modernism; Feminist Studies. 

1106 Humanities, TU 4:00-6:00, TH 10:00-11:00
631-632-7356
cmarshik@notes.cc.sunysb.edu

Courses:


Spring 2011
  • EGL 224: 20th Century Literature in English
  • EGL 301: Modernism & the Middlebrow

Selected Publications:

  • “Thinking Back through Copyright: Freedom and Fair Use in Virginia Woolf’s Nonfiction.”  Forthcoming in Modernism and Copyright, edited by Paul Saint-Amour. Under contract with Oxford University Press.
  • “How It Struck a Contemporary: Negative Press on the Omega.”  Virginia Woolf Miscellany 74 (Fall 2008): 16-8.
  • British Modernism and Censorship. Cambridge: Cambridge University Press, 2006.
  • “The Case of ‘Jenny’: Dante Gabriel Rossetti and the Censorship Dialectic.” Victorian Literature and Culture 33 (2005): 557-584.
  • “Looking for Woolf in the National Archives.”  Virginia Woolf Miscellany 65 (Spring 2004): 7-8.
  • “History’s ‘Abrupt Revenges’: Censoring War’s Perversions in The Well of Loneliness and Sleeveless Errand.”  The Journal of Modern Literature 26.2 (2003): 145-159.
  • “Parodying the £5 Virgin: Bernard Shaw and the Playing of Pygmalion.” The Yale Journal of Criticism 13 (2000): 321-341.
  •  “Publication and ‘Public Women’: Prostitution and Censorship in Three Novels by Virginia Woolf.” Modern Fiction Studies 45 (1999): 853-886.
  • “Virginia Woolf and Feminist Intellectual History: The Case of Josephine Butler and Three Guineas.”  Virginia Woolf and Her Influences.  Ed. Laura Davis and Jeanette McVicker.  New York: Pace University Press, 1998.  91-7

Celia Marshik received her B.A. from the University of Minnesota and her Ph.D. from Northwestern University. Her teaching and scholarship focus on British modernism, particularly on legal and cultural contexts for such works of high modernism as Ulysses and Orlando. Her first book, British Modernism and Censorship, explored the ways in which government, commercial, and private censorship shaped the work of five major writers. “Wearing Modernity,” her current project, excavates the cultural meanings associated with evening gowns, mackintoshes, costumes and second-hand clothing, garments that writers and filmmakers used to create character and advance arguments. She is the proud recipient of the Dean’s Award for Excellence in Graduate Teaching.

British Modernism & Censorship