Wolf Schäfer, "Global History and the
Present Time," p. 106:
The window in Magritte’s 1933 painting The Key to the Fields
("La Clef des Champs") is not made to be looked through
but to be thought through. The painter had this
to say about his key window:
Let us take any window. The windowpane
breaks and with it the landscape that could be seen behind it and
through it. When that really does happen one day, which, after
all, is possible, then I would like a poet or philosopher — my
friend Marcel Lecomte for example — to explain to me what
these broken shards of reality mean.
The meaning of Magritte’s reality
shards is no clearer to the historian than it was to the philosophizing
artist. All the historian knows is that those shards are his documents
and that he must take these fragments of previous world perspectives
and try to reconstruct the social constructions of the present time
that once was. |