The Studio: Through a Surrealistic Lens

White, flat, dreamlike spaces, serving as thresholds between the inner, subjective self and the external, physical world, were a subject that fascinated the South Korea-based project group GREEM (a name that literally translates to “picture” in Korean).

Through the Light: Contemporary Jogakbo by Wonju Seo

Melding tradition with innovation, Through the Light showcases the contemporary jogakbo (Korean wrapping cloth) art of Wonju Seo. Rooted in centuries-old Korean textile practices, Seo’s translucent compositions transform humble fabric into luminous abstractions.

Again by Seongmin Ahn

Again is a typographical mural by Brooklyn-based artist Seongmin Ahn, expressing her manifesto of overcoming the global COVID-19 pandemic. The mural is a cross-cultural exchange and community bonds, and it incorporates both Eastern and Western styles, motifs, ornaments, and symbols.

Simplicity Over Complexity

Brooklyn-based Korean American artist Jongil Ma revives the Charles B. Wang Center's outdoor garden with architecturally woven sculptures, using varying lengths and types of thin wooden strips, both in their raw state and dyed in color.

Zen Rock Garden

Located on the first floor, in between the meeting rooms 101 and 102 at the Charles B. Wang Center, this Japanese rock garden (枯山水 karesansui) was created by Gerard Senese and his wife Hiroko Uraga-Senese as a tribute to the appreciation of Japanese culture.

The Studio: Through a Surrealistic Lens

White, flat, dreamlike spaces, serving as thresholds between the inner, subjective self and the external, physical world, were a subject that fascinated the South Korea-based project group GREEM (a name that literally translates to “picture” in Korean).