Graduate Profiles: History & Theory
Michael S. Boerner
Areas of interest: Surrealism, Dadaism, interart theory, intertextual studies, music & post-structural philosophies, Erik Satie, music & space
https://sbsuny.academia.edu/MichaelBoerner
Bethany Cencer
Ph.D. in Music History/Theory
Areas of interest: Music and masculinity, Male singing clubs, British music in the long eighteenth century, historiography of British music, early vocal performance practice, Baroque music
https://sbsuny.academia.edu/BethanyCencer
Matt Brounley
Ph.D. in Music History/Theory
Areas of interest: Popular Music, Sound Studies, New Media Studies, Psychoanalysis, and Post-humansim
http://sbsuny.academia.edu/MattBrounley
Rebecca Lentjes
Ph.D. in Music History/Theory
Areas of interest: sound studies, 20th- and 21st-century music, text as performance, spatial performance, music and philosophy, music and literature, Erik Satie, John Cage, Robert Ashley
https://sbsuny.academia.edu/RebeccaLentjes
Cordelia E. Chenault
Ph.D. in Music History/Theory
Areas of interest: opera, voice, contemporary performance, gender studies, phenomenology
Michael Richardson
Ph.D. in Music History/Theory
Areas of interest: Late eighteenth- and nineteenth-century German, French, and Russian opera, nineteenth-century European folklorism and nationalism, medievalism and medieval music reception.
Hayley Roud
Ph.D. in Music History/Theory
Areas of interest: Twentieth and twenty-first century music, performance, cultural studies, film music, Birds, kombucha
https://sbsuny.academia.edu/HayleyRoud
Joyce Chen
M.A. in Music History/Theory
Areas of interest: French Baroque Operas, Historical Performance, Gender Studies.
joycechenmusic.com
www.brandywinebaroque.org
Anna Reguero DeFelice
Ph.D. in Music History/Theory
Areas of interest: Music of the 21st Century, Highbrow/lowbrow, Cultural Theory, Indie Aesthetics, Postmodernism, Metamodernism, Phenomenology
Aaron Hayes
Ph.D. in Music History/Theory
Areas of interest: 20th and 21st Century Music, Philosophy of Music, Critical Theory, Phenomenology of Music
https://sbsuny.academia.edu/AaronHayes
Oksana Nesterenko
Ph.D. in Music History/Theory
Areas of interest: 20th and 21st century music, 20th century philosophy, concert music in the (former) USSR, experimental music in New York, spirituality, phenomenology, perception of time, culture and politics, new Jewish music
Anna Parkitna
Ph.D. in Music History/Theory
Areas of interest: Opera, Enlightenment, Operatic Culture in Warsaw (1765–1830)
sbsuny.academia.edu/AnnaParkitna
Jon Fessenden
Areas of interest: Ph.D. in Music History/Theory
Autism, Disability Studies, Music Therapy, Phenomenology, Metal Music Studies
Garrett Pluhar-Schaeffer
M.A. in Music History/Theory
Areas of interest: Philosophy and music, Morton Feldman and the New York School, long musical works and duration, space and place in music, remembrance/memory in music, American music from 1960-80, electroacoustic music
http://sbsuny.academia.edu/GPS
Ross Aftel
Ph.D. in Music History/Theory
Areas of interest: Aesthetics and Practices in Instrumental Theater, 20th/21st century music and arts in Eastern Europe, Post-dramatic theories in music, Borges and Gombrowicz in music, Musical anachronisms, The Self as instrument, Surconventionalism
Alecia Barbour
Ph.D. in Ethnomusicology
Jay Loomis
M.A. in Ethnomusicology
Ben Downs
Ph.D. in Music History/Theory
