Graduate Profiles: History & Theory


 

Michael BoernerMichael S. Boerner

Ph.D. in Music History/Theory

Areas of interest: Surrealism, Dadaism, interart theory, intertextual studies, music & post-structural philosophies, Erik Satie, music & space

https://sbsuny.academia.edu/MichaelBoerner

  

cencerBethany Cencer 

Ph.D. in Music History/Theory

Areas of interest: Music and masculinity, Male singing clubs, British music in the long eighteenth century, historiography of British music, early vocal performance practice, Baroque music

https://sbsuny.academia.edu/BethanyCencer 

Matt Brounley

Ph.D. in Music History/Theory

Areas of interest: Popular Music, Sound Studies, New Media Studies, Psychoanalysis, and Post-humansim

http://sbsuny.academia.edu/MattBrounley 

Rebecca Lentjes

Ph.D. in Music History/Theory

Areas of interest: sound studies, 20th- and 21st-century music, text as performance, spatial performance, music and philosophy, music and literature, Erik Satie, John Cage, Robert Ashley

https://sbsuny.academia.edu/RebeccaLentjes

 

CordeliaCordelia E. Chenault

Ph.D. in Music History/Theory

Areas of interest: opera, voice, contemporary performance, gender studies, phenomenology

 

 

  


richardsonMichael Richardson

Ph.D. in Music History/Theory

Areas of interest: Late eighteenth- and nineteenth-century German, French, and Russian opera, nineteenth-century European folklorism and nationalism, medievalism and medieval music reception.






roudHayley Roud

Ph.D. in Music History/Theory

Areas of interest: Twentieth and twenty-first century music, performance, cultural studies, film music, Birds, kombucha

https://sbsuny.academia.edu/HayleyRoud

 

Joyce ChenJoyce Chen

M.A. in Music History/Theory

Areas of interest: French Baroque Operas, Historical Performance, Gender Studies.

joycechenmusic.com
www.brandywinebaroque.org 

  

 

 

AnnaAnna Reguero DeFelice

Ph.D. in Music History/Theory

Areas of interest: Music of the 21st Century, Highbrow/lowbrow, Cultural Theory, Indie Aesthetics, Postmodernism, Metamodernism, Phenomenology

  

 

Aaron Hayes

Aaron Hayes

Ph.D. in Music History/Theory

Areas of interest: 20th and 21st Century Music, Philosophy of Music, Critical Theory, Phenomenology of Music

https://sbsuny.academia.edu/AaronHayes 

  

OksanaOksana Nesterenko

Ph.D. in Music History/Theory

Areas of interest: 20th and 21st century music, 20th century philosophy, concert music in the (former) USSR, experimental music in New York, spirituality, phenomenology, perception of time, culture and politics, new Jewish music

extendedtechniques.com 

Anna ParkitaAnna Parkitna

Ph.D. in Music History/Theory

Areas of interest: Opera, Enlightenment, Operatic Culture in Warsaw (1765–1830)

sbsuny.academia.edu/AnnaParkitna 

 

 

Jon Fessenden

Areas of interest: Ph.D. in Music History/Theory

Autism, Disability Studies, Music Therapy, Phenomenology, Metal Music Studies

 

GarrettGarrett Pluhar-Schaeffer

M.A. in Music History/Theory

Areas of interest: Philosophy and music, Morton Feldman and the New York School, long musical works and duration, space and place in music, remembrance/memory in music, American music from 1960-80, electroacoustic music

http://sbsuny.academia.edu/GPS

 

Ross AftelRoss Aftel

Ph.D. in Music History/Theory

Areas of interest: Aesthetics and Practices in Instrumental Theater, 20th/21st century music and arts in Eastern Europe, Post-dramatic theories in music, Borges and Gombrowicz in music, Musical anachronisms, The Self as instrument, Surconventionalism


Alecia Barbour

Ph.D. in Ethnomusicology

Jay Loomis

M.A. in Ethnomusicology

Ben Downs

Ph.D. in Music History/Theory

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